The Hippo Moment

Step by step
moving the surface interface
from air to water,
sliding into an alien
yet not unfamiliar medium,
warm surrounding water
strangely supporting the body

Buoyancy,
from long ago
a feeling recalled,
the facility for deeply held
memory kicking in,
before birth
this sensation recognised
again as known
when eons before
the only place.

Memory,
of fear and thrashing,
not a distant life
but this one
bathed in anxiety
fretting afraid to leave
the security of the side
for deeper waters.

Encouragement,
reassurance
in holding onto the confidence
of another for whom
the medium of terror for me
is one of pleasure and freedom,
slowly learning to trust
the presence and the voice
that it can be done,
head under the surface,
glide, kick, stroke, breathe
head under
blow bubbles
reach and turn to the side
breathe,
suddenly it seems
swimming.

Now comes enjoyment
relaxation and achievement,
otter companions unseen
enter the pool causing
mischief chitting encouragement
showing how easy
it is to be in water,
laughter at slow success.

Lesson done,
high fives and weariness,
for it is well into evening,
sliding into the night,
time to go,
time to change the mediating
medium of being once more,
taking the steps,
almost weightlessness
alters in the moments
step by step
trading selkie skin
for the human one,
another transformation
there is the time between
being water borne
and once more air held
a sudden awkwardness
when gravity is once more
felt with every bone and muscle
weightedness returns.

Ah, the hippo moment.

I dedicate this poem to my amazing swimming instructor Kelly Deakin. The invisible otters and ‘The Hippo Moment’ as I called it made us laugh. A big thank you!

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Elements Meditations

In the past few weeks there have been many things to think about and so I’ve not been doing as much writing. It’s been a matter of consciously processing ideas and experiences, coming to terms with new ideas and ways of being, different ways of perceiving events and incidences/co-incidences that have been presented to me recently.

Some of them I have tried to write about, realising only after agonising for what seems like hours, but in truth is only moments, that it is not time to articulate for myself and communicate them for others.

I find this immensely frustrating.  Often infuriating, but I have to trust the process of revelation and its inherent timing.

There is one thing I can share, and will keep sharing now and then . . . I have a new mediation focus: The elements. This discipline came to me as I was sitting looking at my altar in an unfocused way a little over a week ago. I noticed that I had been gathering bowls that represented the elements, collecting them not really consciously. Some I’ve had for many years, but most have come to me in the last year. It seemed no accident; such things seldom are for me. I knew as the recently acquired ones began arriving they represented elements, but had no idea how I’d use them, beyond how they looked and resonated with me visually.

When I discovered there was one bowl  for six days of the week, I had to delve deeply to discover for me what was the missing element, what in the early days phlogiston was to those trying to understand the processes of life and nature. At last I realised that what holds the world together for me, though I understand much of the science, is Mystery. At that point I immediately picked up the Iona bowl off of my altar and knew this was the missing element, the one that holds the whole cycle together. So obvious it was hidden in plain sight before me.

I dowsed to choose the day for the meditation both morning and evening.

Sunday: Mystery, a bowl thrown, fired and glazed on Iona, a place of mystery for me.

Mystery 1Mystery 2

Monday: Fire, I picked this one up last year at the village Folk Festival.

Fire 2Fire 1

Tuesday:  Metal, from a charity shop for a few quid, and its song when thumped is wonderful.

Metal 1Metal 2

Wednesday: Wood, I got this last winter, its Yew my favourite turned wood.

Wood 1Wood 2

Thursday: Air, this one came the same day as Fire.

Air 1Air 2

Friday: Earth, this one is very heavy, rough and substantial.

Earth 2Earth 1

Saturday: Water, the most recent addition and to me a perfect representation.

Water 1Water 2

So, I began the meditation cycle last week and recorded the uses or significance of the elements. The lists are quite long. Things taken for granted every day, year after year suddenly have links and connections of amazing complexity. Whilst an individual element may be the substance to an item, it is only by employing products of others that enables humans to craft the various items. All things are linked.

I have not gotten any further than this rough appreciation of what we do, how we use, what the purpose is of each item from these elements. It is how the elements presented themselves to me. Without fail as soon as I sat with the bowl images and words poured into my awareness, always in pairs, some with an obvious association, others paradoxical and challenging. I never pushed this or sit down to think: Okay, so what do we use you for? I simply settled with as empty a mind as I could manage, not easy as my mind is always chattering away, busy.

I will share the contents of these lists as I ponder them in the weeks ahead. Having a list as a prompt in no way will diminish for me the profound wonder of looking closely at the products and natures of the elements that for me make up the world, for I cannot see atoms. And I still marvel that as closely as I may hold the bowl there is always an atom unimaginably thin, a membrane separating us. And it is the same with holding one’s beloved and anything or one else. Also I know that the elements’atoms are always in motion, dancing, shifting and darting about within the bowls, and in us. To me this knowledge just adds to my appreciation for everything around me, and makes the knowing that arises from my meditations far richer.

Doing this even this little while, and not going deeply into structure from an energetic perspective has made me see everything with fresh eyes. Another aspect of my reawakening, my re-emergence, my ongoing journey of anamnesis.

Don’t waken the gods

I went on a walk this morning with a great deal on my mind. I have a job application to do this week. My desk looks like a whirlwind blew through. I work by shoving stuff around, sometimes with one of the cats sitting on top of the pile. Nonetheless, I went forth to move in the sunshine, listen to the birds sing, feel the breeze tangle my hair and take some photos of the progressing summer.

I went further along one track than I’d ever been. Previously, it was awash in mud and standing with water. At a point I felt was right, I found a place to sit and reflect. Had it not been for the tractor two fields away, all I would have heard were the songs of the birds and the buzzing of the bees. I haven’t sat down at the edge of a field for a long time. The late morning sun was warm. The clouds were broken, mountainous, slow moving. I was on the far side of a field I had been walking along from the other side separated by a stream and long gatherings of trees along the footpath.

Settled down, I pondered. My mind went in time to asking the question, partially rhetorical: Who is the goddess of the Somerset Levels? I figured with all the water and willows it was unlikely to be a god in this instance. I asked as I don’t live all that far from them and am familiar with the places that were so badly flooded over the winter. I figured that the deity would be pretty much for the area where I live as well. I asked and just sat, open, listening. It was hard not to have other things interfering  and distracting, but the heavy drone of the tractor and the chirping and calling of the birds did help me to hold my focus. I didn’t need to travel. I waited.

In time I sensed an answer and it was not the one I was expecting. Well, quite frankly I wasn’t expecting anything, but had I been what I was gathering was not what it would have been.

Do you really think it wise to wake up the old gods? Do you think it appropriate to call me forth? You do not know what I demanded of those who followed me in the past. You have no idea if I am merciful to be reverenced or fierce to be placated. You do not know if I am who or what your world needs.

This was a bit of a shock. I don’t think I wanted to wake her up or call her forth . . . or maybe I did, though unwilling or unable to admit it. I acknowledge I thought it might be helpful or inspiring to be able to call on a local goddess. But in this case I was wrong. She made it very clear she did not want to come back. That she is there still is not in question for me. It is a matter of letting sleeping gods lie.

The experience did present me with a poem though. Unfortunately since I can’t get lines of poetry to work in the drafting space here, I’ve put forward slashes between lines in each stanza.

Don’t waken the gods,/sleeping under that tree.

Why do you want me,/ignored for so long?/My voice too faint/for modern ears ever to hear.

Don’t question the gods,/resting under that tree.

Why do you tempt me,/ignored for so long? My answers too harsh/for modern minds ever to cope.

Don’t test the gods,/restless under that tree.

Why do you chase me,/ignored for so long? My presence too strange/ for modern sensibilities ever to bear.

Don’t seek the gods,/concealed under that tree.

I wasn’t chasing her. I was merely musing on a possibility. The answer, however is quite clear, totally unambiguous. Am I disappointed? No. It is enough to know that such a Presence was once a part of the lives and practises of the people who lived here, near here, the ancestors of this area. No written record. No name to call. Vanished and traceless. In this instance, as it should stay.