Chalice Well

Monday we went to Chalice Well, a favourite haunt in Glastonbury, where we are Companions. Whilst I did not initiate the idea of this venture, not that far from where we live, I was enthusiastic. When we stepped into the space I understood the reason it was so important to go there, though that was not known to me until we arrived.

My partner lay in the sun on the hill at the bottom of the precinct near the new gift shop. I, however, had things to do, things to hear and I had to do them alone.

First of all, I went back to the entrance and bought a small bottle to collect water from at the lion head fount. Then walked back up the incline to stand between the two yews that stand sentinel as one prepares to go to the healing pool. They had been staunchly reassuring as I came to stand with them occasionally during the nearly six months I had to await the final decision on my application for Indefinite Leave to Remain. They had assured me that I was rooted here. That my roots were entangled with those of the gods, ancestors and spirits of this land. They made it clear that no one had the power to remove me once I had been thus claimed. And yes I did trust them, but part of me wondered how the Home Office officials would know. Given they were working with documents well prepared and presented I must say by my immigration solicitor, who to be fair also thought I would have no trouble, but you never knew for sure until they said yes.

Moving with deliberation and openness I walked past the pool and instead took of my shoes and socks and walked in the water that flowed into it from above. It was cool and refreshing. There it was clear to me that I was cleansing myself of all the accumulated gunge that had adhered to me in the 15-year process to gain settlement in the UK. That was granted on the Autumnal Equinox, though I did not find out about it until the day after the 15th anniversary of my arrival in the UK. In the flow of that water that had stained the surface of the trough a rusty amber colour over years of mineral exposure I found I was walking into a new life. It was a stunningly simple act, but one with complexly amazing ramifications. For a while I just sat.

When it felt the time was right, I moved on up the steps to the lion’s head where the two glasses sat waters from the spring lemniscating between them. I sat on the bench hidden by the beech bower. I wrote in my journal. I was clear that a bargain had been struck between me and the gods, ancestors and spirits of the land. In that clarity I knew that because they had kept their word to me, I was now free. Freedom, however in this and every other instance entails responsibility. My freedom is granted so that I might be able to fulfil my destiny, in its fullest and broadest, widest and deepest sense. I just sat there staring at the water pouring through the lion’s mouth. Grateful, humble, terrified, cautious and joyful.

In that frame I walked to the fountainhead. I first took a drink out of each glass, then replacing them filled my little official water bottle with some lemniscated water. I washed my hands and with the glass poured water over my forehead and let it run down my face. It was truly a baptism, a cleansing and dedicatory action. I drank some more water then went to sit down before proceeding to the final stop on this impromptu pilgrimage.

Again, waiting until I felt the time was right, I moved on to the Chalice Well herself. I was able to sit with the Vesica Piscis facing me and under another yew. I just sat and listened. The birds sang and I heard sheep bleating.

The Well gave me one message: I am a Well of Wisdom, who partakes of my gifts receives my blessing. For you it is the Awen who flows from my depths. This is a source place for you and so you must come here often. I am for you the Mother of Awen.

What can I say to that?

Except to express my gratitude by honing my gifts and strengthening my creative skills. Write poems. Write stories. And, write more. Learn the art of linocut, become a more proficient calligrapher and accomplished photographer. In all things be humble and live in a state of grateful awareness.

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I have returned

I realise that I have been silent for months. It was time I needed to dive and delve deep into myself, to look, to learn and to accept. Time I required to adjust to life with a new partner. Time to settle into a new home, a new city. Time to rest and relax. Time to be.

I come back refreshed. I come back with new insights. I come back with enthusiasm. I come back with gladness. I have missed my blog, but the Gray Bear in the Middle needed time in her den, curled up, waiting for her own spring of renewal. She has, I have woken from this deep long hibernation, this extended hiatus ready to amble along the paths of wisdom newly discovered, swim in the waters of insight, and scrabble along the edges of wonder, and bring you along with me.

I am grateful that you have stayed with me, or at least I hope you have.

I have returned.

Dance with the dryads

Dance with the dryads.
Skip with the stream.

Enter a hallowed world
walk through this portal,
acknowledge the rowan tree,
may she allow you to pass.

Duck under enleafed boughs
a path darkened in summer’s deep shade,
only farther along will shadows dapple
playing hide and seek with sunlight.

Dance with the dryads.
Skip with the stream.

Who is it who calls me
insistently bidding me release
the bickering in my mind,
pulling my thoughts
and intentions that tie me in knots?

A stream runs by this path
north from the small bridge
away from the village the fields to greet,
willow shed of catkins,
elder holding brown flowers ,
hawthorn bearing green berries,
hazel with pale blushed nuts,
brambles soft flowers hidden with thorns,
then holly, ivy, ash and oak,
though a break in the trees
looking skyward the yew ogham
written in crossing contrails.

Dance with the dryads.
Skip with the stream.

Divine through the waters
ovatically listen
there is speech in the streamcourse
pushing past corners
tumbling over obstructions
given voice for its wisdom
a message you could not read
in the shrew’s entrails
so listen to me.

Abandon your camera
take out your pen
see with your ears
hear with your heart,
record and remember the
strange language spoken
between muddy banks
the speech of the waters
addressed now only to you.

Dance with the dryads.
Skip with the stream.

Pause here as the waters pass rushing
no longer a whisper, a hum, or a sigh
here the stream runs shouting
demanding your attention
near the end of your walk,
where two close set stones
guard a wooden armed bridge
and the two hawthorns
bend together to shield the way,
turn then return now.

Going back keep you mind calm,
do not let the old arguments
pick up where you left them,
step by step to straight-trunked poplars
sentinels conversing in whispers,
hoping not to be heard.

Dance with the dryads.
Skip with the stream.

This walk has now ended for the light
once more bright shining,
bird song is louder,
gravel crunches under your feet.

Remember the lessons
so much like a dream
the trees of this pathway
engaged with the waters
affirming your intuition
heightening your knowing
enriching your life.

For you danced with the dryads.
You skipped with the stream.

You opened your heart

For some time, meaning a quite a few years in this instance, I have struggled with how to identify myself on the paradigmatic timeline of the stages of a woman’s life. I am well past menopause, but I neither look nor feel old nor haggard. I have tried to live with the Crone but I am not her, not yet, not for a long while yet the goddesses willing. Just in the past few days I have come upon the designation of Queen as an intermediate between Mother and Crone.

I realise this is not a new idea, it has been floating about for many years, only it hadn’t until last week floated to me. I am a believer that things come to one at the right time and not before, no matter how impatient I am, if an issue is not ready or I am not ready for it, then it’s not going to arrive. That has caused me much grief and pain in the last several years, but it is one of the truths of my life. There are things I could not do when I was not whole enough to do them, not present enough to present myself. (I hope you caught the change in inflection there).

Two days ago I went to the local small orchard woodland space on the near edge of the village. I went to the Beech tree who has been companioning me for several months.

 

Beech 2

After discovering the Queen paradigm or archetype, whichever — and there is probably an important technical difference between the two — I had to seek her out, because I sensed the reason she had been nudging at me to come into communion with her. I had no expectations of the encounter, when I approached her, I went ready to be . . . What happened was a remarkable incidence of relating to another being at a profound level. I have had deep and profound encounters with Yew trees, for which I have always had an affinity, and for many years I have been struck by the sensual beauty of the Beech tree. I just never thought it related in any way to me personally — how wrong, but it was not then time. I could not have handled the influx of energy, the depth of the knowing, the intensity of the revelation.

In reading about and exploring intellectually the new paradigm/archetype it seemed that it was a fit, one that had been missing. But it was not tangible, tactile, tensile. I was not able to hold the reality, feel the reality, experience the tension upon which such a reality balances and exists. Then I followed my intuition, always strong and getting stronger as I’ve gotten stronger, and went to see Her. She opened her heart to me. In so doing, She changed my life forever.

(This is a place in Her barkskin that looks like a heart, an open one, that inspired the poem.)

Beech heart

You opened your heart
you gave me a name,
a way I might address you,
no longer simply
The Statuesque Beech Tree
in the Orchard Wood.

You opened your heart
and in so doing enabled me
to speak aloud your name
Dew’Featha, O Queen of my Wood,
as I circled you on the
slope of the hillside
running my hands
over your barkskin
I felt your presence and power
I felt my presence and power.

You opened your heart,
Dew’Featha, O Queen of my Wood,
speaking instruction
articulating introduction
affirming intuition
that I might listen and learn
the lessons I require.

You opened your heart
Dew’Featha, O Queen of my Wood,
you are willing to share
that I might understand
what it means to be a Queen,
Sovereign of the Self
standing tall as yet unbent,
reaching forth to the sky
dancing in the breeze.

You opened your heart
Dew’Featha, O Queen of my Wood,
that I might access
ancestral knowing,
ancient knowledge,
deep-rooted wisdom.

For all this you opened your heart
Dew’Featha, O Queen of my Wood,
shared yourself with me,
fractured my mental
barriers to acceptance,
shifted my spiritual
perceptions to acknowledgement
that I am not old though no longer young,
that I have a place
of self-acceptance
self-understanding
and ongoing outgoing.

You opened your heart
Dew’Featha, O Queen of my Wood,
and in doing so allowed me
to share with you
what it means to be Queen
in our presence and power.