On 2nd December 1982, I wrote a sequence of poems to mark the successful completion of a course of counselling to get over writer’s block. I had worked with a wonderful counselor who taught me to journey, though I’m not sure it was called that, and begin to engage my inner landscape/mindscape/soulscape. I can still go to the places I discovered with his guidance, still see and feel them in my being when I choose to do so.
The sequence of poems became a book I published two years ago: Paused at the Edge of the River, Waiting. Only since last week has that book gained a much fuller, deeper context for me. I have a new relationship with the words I wrote so many years ago. Words written by a me of several lifetimes ago, or so it feels. I used imagery that I really understand now.
And here is how I know this is the so . . .
Last week I spent a day in Langport, on the Somerset Levels, to engage the River Parrett. It is a river I’ve known since the Autumn of 2000. I have visited it and walked its banks in the company of another who has stepped out of my life, leaving pain and sorrow in his wake. At some point over this past Summer, however, I knew that the Parrett was my Muse. It is possible to reach a bit of it by walking out of the village where I live, but it is not a familiar part, and I really am not sure of the footpaths. Not yet.
Somehow, I knew that for my first real engagement with the Parrett it would have to be in and outside of Langport and on the way to Muchelney, parts of the Parrett I know. Well, last week I felt the time was right so I took two buses and spent £14.40 I didn’t really have to make the journey – the pilgrimage to meet my the River as my Muse for the first time.
The day was perfect, not too hot or chilly, sunny with clouds and a day there weren’t many people on the River. When I got there first, I walked out onto one of the little platforms standing over the River to look down into it.
Then I ate the lunch I had packed sitting on one of the benches near the riverbank gazing into its flow.
After eating I walked out of Langport towards Muchelney. Being in no hurry I took my time, camera in hand as well as my notebook. I juggled recording visual and impressionary images to return to and ponder later. I walked with and through and past Willows that were alive with the calls of Willow Warblers and Long Tailed Tits. There was a Moorhen on the water skirting the edges of the bank. And Dragonflies, the whole path seemed to have become a dancing ground for them, their handsome red bodies shining in the Autumn sun.
One had gotten too close to the water’s surface and was unable to get out and I had no way to rescue him. I could feel his terror and fear, flailing his wings trying to escape the River’s grasp. I sensed him getting tired and finally his resignation to his fate, a fish would come along at some point and take him. I sent my thoughts for a crossing to his Ancestral Dancing Ground that would mean he’d celebrate soon with his Dragoncestors, including the giant prehistoric ones.
I walked on and saw a Kingfisher hovering like a Kestrel and plonking into the River, again and again. When I looked at the not too well focused photo at home it turned out there were two of them on the far embankment.
Just beyond the Kingfishers I paused at a place that held deep memories of time spent with the man who had stepped out of my life. Memories of sublime joy and affirmation, as well as ones of shard sharp sorrow. I paused and allowed the hurtful memories to be released, but there seemed no point banishing those that taught me about the joy my body could experience.
The Willows who witnessed my joy also stood witness to this act of letting go. So, the hurt is gone, dropped into a puddle that will dry away and take the memories of pain with it. The memories of joy join the flow of the River, the Awen and Life. These are available now in the vast reservoir of experience to tap into when creation requires it.
I walked farther on but did not get all the way to Muchelney, as I didn’t want to walk with the beasts in the fields. I got to where I got a clear look at the church there and that was fine for this visit.
So, turning around I ambled back.
Deep and magical encounters with River continued,
and those with the Willows followed.
I love Willows and have done for as long as I can remember, long before I knew they were my birth tree.
Then there was the Apple Tree. She is an old tree, or at least I sensed her thus. She is not whole, but bears a hole in a part of her that is broken off.
Lichen covered she is wise. Still bearing fruit, she gave me an apple and told me that I must come and take some of her Mistletoe for Yule. I felt comfort in her presence and a connection of spirits, hers to mine and mine to hers.
I encountered a corvid who companions me.
As well as signs of the Mole People who guard my steps when I request their presence.
Taking a slightly different path, off the main track, for the last bit of the way into the village, I came upon, under more Willows, a swathe of tiny mushrooms.
I took a photo with my pen to show the scale.
They were a wonder, though I didn’t know how much so until I pulled the close-up I took onto my computer.
There were also some scary grey-black ones. A wonder, too, though in a different way.
Back where I started I felt refreshed and renewed.
I had engaged the River Parrett as my River, my Muse. I claimed the space as sacred for and to me, in my life going forward. It is no longer shackled to memories that hurt my heart or stab my soul. I am free to know the Parrett as a manifestation, a riverfestation of the Awen.
I am building new memories. I am enjoying new experiences. I continue to learn about myself, my place and my purpose.
No longer am I paused at the edge of the river, waiting. Not even am I paused at the river flowing. There isn’t any more an edge at which to pause. I am part of the River. Part of the Flow. Part of the Awen that connects me to my Muse. Connects me to everything of wonder and mystery. life and being, creation and creativity.