Feather on the breath of God

Here is my introduction of a sequence of four poems inspired by my personal and idiosyncratic experience of Hildegard of Bingen, her life and her varied works.

I first came into contact with Hildegard when I was at university studying Mediaeval History and Literature. I spent a lot of time in the 12th century, Hildegard’s century. Even at that time I came to her life and works from inside the church box, albeit an Anglican one. For nearly a quarter of a century, however, I have been engaging her works as a pagan, specifically as a Druid, as one of my ancestors of spirit.

This, naturally, colours how I approach what she says and more importantly how she says it. It is the reason I am picking up Latin again, for the third time and now after thirty-four years, because I want to translate and read her words from very far out of the box into which she is confined by the church.

It will take some time to achieve this, but I want to see how she reads with a very different light shone on her. I believe it will be illuminating in more ways than one. From these readings I know will issue further poems than the four I am setting out here.

From how I understand and perceive her, she both more and less than what the current Hildegard ‘craze’ makes her out to be. She was a woman of contradictions and contrasts. She was fierce and formidable as well as faith-filled, potent combinations for a woman at any time, let alone the 12th century.

By way of elaboration – in the second poem of the sequence I use the word: viriditas, a Latin word that means essentially greenness. Hildegard, however, makes it her own by extending its meaning, in various translations rendered as: freshness, vitality, fertility, fecundity, fruitfulness, verdure, or growth. In her understanding, viriditas is a metaphor for spiritual and physical health. It is a word and concept as multi-faceted as the woman who used it so creatively, and it says so much about Hildegard’s approach to life and to belief.

Feather on the Breath of God – for Hildegard of Bingen

One

When you stood 
before the archbishop of Mainz
being questioned,
interrogated,
challenged
regarding your visions – 

You responded:
I am a feather on the breath of God.

Ironically,
or perhaps most fortunately,
the learned churchmen
never really understood,
would have found it
quite impossible 
to understand – 

What a feather, 
not a soft downy one
nor a flashy ornamental one . . .

Oh no . . . 
You were a flight feather,
strong and unyielding,
a feather that took you far,
enabled you 
to fly,
soaring with your musics,
allowing you 
to travel in your visions,
discovering 
the mysteries of life,
revealing
the wonders of nature,
probing the secrets
of the Divine.

Oh yes . . . 
A feather on the breath of God
you may have been,
but ooh what a feather.

We will never really know
what the archbishop thought
at your assertion,
maybe:
ah . . .
a docile abbess,
a humble leader of nuns,
a dutiful daughter of the church.

They were, of course,
both right, and so very wrong,
for you were
a strong willed,
migraine suffering woman,
who did not relent,
nor acquiesce in the face
of the wrongs of the church
as they pertained to you
and your community.


A feather on the breath of God –
indeed!

Two

You were overawed
by the power and necessity,
physically and spiritually,
of what you termed 
viriditas; 
and in these times,
your message 
takes on a different deep hue,
your viriditas means 
so much more now
as we see the fragility
of ecosystems
and engage in environmental
degradation.

Or,
did you see so far ahead,
see things you
knew you could not 
write in full?

People are meant to be green – 

Out of context,
or is it?
Do we know with certainty
the context of your visions
couched in language
and explanations
that preserved them for us?

Three

Doctor of the Church
you were made,
one more and final
attempt to make you safe – 
to sequester your thought
and constrict the understanding 
of your words,
attempting to hold firmly 
in an ecclesiastical grasp
what you said,
what you saw,
what you knew.

Still – 
your feather 
remains a flight feather,
for you can still soar
and your word-wings 
beat above and beyond
how the church chooses
to interpret you.

Your antiphons and responses,
sequences and hymns also ascend
far above the abilities 
of male voices;
you wrote musics
only women can sing,
leading them
to fly with you
above the ranges of men’s
comprehending,
taking them
to the realms
of the Divine.

Four

Your word-wings,
powered by your flight
feathers rising on God’s breath
bring you to our times,
where you have become famous,
because you were,
eight centuries ago,
a woman who dared
to go beyond the limits
that sought to restrict you – 
you wrote chiding letters
to the powerful,
both clerical and secular,
you preached 
abroad in the Rhineland,
you stood your ground
against interdict and proscription,
for neither your conscience,
nor your voice
could easily be confined.
and certainly not silenced.

Oh yes . . . 
You were a feather on the breath of God,
a strong feather,
flight feather,
quill feather
that did not gently fall to earth,
but took you soaring
where now we may,
and indeed must,
follow,
for your words ring out
timely and clear:

People are meant to be green.

The earth must not be destroyed.

The Piano has to Die

It is an odd feeling, sending a musical instrument to its doom.

I had not really bonded with the piano I got a couple of years ago for free, well plus moving costs. For a lot of that time it was in the hallway covered over whilst the house redecorating continued. Last year I moved it from the hall to the snug. A lot of pushing and shoving on my part was required.

Still it was not like my Jemima, the old Blüthner whom I gave to a friend with a dance studio two moves ago. This piano did not give me its name. It lived in a house, the one my husband and I are moving from, that did not like music. I havep layed my concertina now and then, but only for a few days running and never in a consistent way. The drums remained silent because we live in a city. Nor was I able to overcome the treacle energy here to bring my double bass out of the corner.

So, the old piano, who did not have the pedigree to make it financially viable to refurbish to sell on, was taken away four days ago to die. It should be able to donate its ivory keys to an instrument that is getting a makeover, at least I hope so. But the instrument that has been in my house all these months reached the end of its life.

Before the removers arrived that morning, I played all the keys. I played the white ones up and the black ones down. Then I played notes and chords. When I sensed the piano had had its last song, had sung its last, I let the final notes fade.

It is bittersweet because musical instruments have a soul of a sort and this one’ left as the last note faded. I knew because I told it the fate that awaited it. I was glad that its soul flew with the last notes.

Farewell. Your last note’s song escaped into the aether and will resonate somewhere, always.

Farewell, sweet musics.

Hybrid Spirits

When trees
still
danced upon the dappled land
when dragons ranged the twilit skies
when woman and man were unconceived
were inconceivable,
then, then
the tree spirits and the dragon souls
swirled in mists of passion embodied.

Borne from their unions
another being of dragon and treekind both
emerged.

Dragon Willow 2

Creating a new genealogy,
some of those newly genetically encoded ones
with divergent memory
lay with humans when they became
and another hybrid
not fully tree nor totally dragon
not ever woman nor even man
but with bodies one or the other,
who yet remembered
the calling of the ground beneath them
and to whom the fire entered in.

A body dancing to unfamiliar musics
and singing in mysterious harmonics
of trees and dragons, men and women
part of those preceding them
alive together.

The Badger’s Gift

Last weekend I happened upon a dead badger on the sidewalk around the corner from where I live. S/he had been hit on Friday night or early Saturday morning.

It was very upsetting to see this sight. I reported it to the Badger Trust, who log such incidents to help keep track of badgers and see if there are patterns around deaths, and the to Council for removal.

Several people walked by and were trying hard to ignore the body.

I spent time with the body, I allowed myself to marvel at the front claws so perfect for digging and the so sharp compared to the well worn back ones.

I studied the fur, appreciating the texture and colours.

After a while I sensed that the spirit/energy had not left the Badger. So, I spent time helping him/her let go and return to the Feasting Sett of the Badgercestors. I was given a name to refer to this badger – Baskin. After a brief visit to the Badgercestoral Sett, Baskin returned to me. This is not unusual. Other creatures have done this when I helped them let go and I needed their aid for some purpose.

Since I am looking for a new place to live, it was clear Baskin would remain and help me locate my new sett, as it were. I was humbled by this act of generosity and presence. Baskin now walks with me everywhere at little ahead on the right side, about 2 o’clock. It is a comforting presence to me.

Fast forward six days. Today was not a good day starting out. I have not been sleeping well worrying about the enforced move upcoming due to the landlord selling up, still looking for a job, and taking a course to help me be more employable since my university degrees are of no use to me in that regard.

I went out for a walk out of the village and made my way to the stream. The sun was glinting on the water at the bridge.


The clear ringing message to me was: You cannot capture the dance of the flow any more that you can hold the sound of the musics. Then I went to the gate into the field where I saw the young deer last spring. I called on the gods and ancestors, and the spirits of the land in the place where I live. I asked Nemetona to assist me as well in finding the safety of a new sanctuary. Baskin was there just the other side of the gate, looking up with affection and approval. Badger companions have at times been rather harsh with me when I needed that, apparently now I need gentleness.

As I turned to walk up the drive to where the Tall Oak stands I looked down and saw

My heart rose and I laughed with joy. . . A Badger Stone, a wee Brock Rock on the cement drive over a metre from all the stones of the rest of the drive.

Thousands of them and this one made its way to the crest of the bridge. I picked it up and sang my gratitude for the gift of encouragement.

From there I walked to the Tall Oak and around the path along its other side. After I had taken a few photos of the newly budding and blooming Gorse, my phone rang. It was from the HR department of a business I applied to on 8th December! I’d been short listed for an interview to be held on Monday. Because of the experience of finding the Badger Stone, I was feeling happy and positive and sounded it on the phone. The job would make enough money to live on and have a life. I don’t know how the interview will turn out, but it is the first one I’ve had in months. And at a time I really need one. It seems more than just an accident in the timing.

I have done other things to alter my perceptions of things and let go of past hurts, this has also cleared the way for new opportunities.

But I also feel much gratitude for Baskin, who although s/he is physically gone, has left an imprint on my soul and awareness as s/he continues to walk this part of my journey with me.

The arrival of the Badger Stone also encourages me to face the future, in trust and in the full awareness I am never alone. Badger is a powerful presence for me and has been for many years since I arrived in the UK. These events just strengthen my links with Badger and help give me the determination to move forward.

Frost Folk

Brown leaf 1

The nights dark on darker
cold on colder
shelter the growing of the Frost Folk,
who cannot live in the bright light
or warmth of the day.

The Frost Folk live in shadows,
short is their time the Mayflies of winter
rising up of an early morn
sinking into oblivion before day’s end,
yet they are musicians
making music in crunching thin ice
and the slow mournful drip of their death.

The Frost Folk grow over rock and heather,
altering the structure
of fragile flowers too late blooming,
reaching up from the edges of leaf
for a better view of a world
observed but briefly.

The Frost Folk are the denizens of winter
they are those who paint on glass
shiny textured undecipherable images
and who decorate the grasses
in white lace and bangles of crystal luminescense.

Pause and delight in the Frost Folk’s gifts
for even in winter
they are not always present
making music or leaving art
in the wake of their passage across
our landscapes from the mysterious
world from which the grow
and to which as droplets they return
weeping for a life too short
and a cold darkness not long enough.

Any Wednesday

Today I walked with the gods, ancestors and spirits who dwell in the landscape nearest where I now reside.

I walked passing houses storied by the people who live in them. Storied by their inhabitants through acts of love, violence, indifference, hope, and despair. Storied by those who chose wisely and with honour, and those who are trapped in decisions made in haste and acts of self-indulgent deceit.

I walked beyond these and also by the hedges and banks that are home to the small ones, furred and feathered, sheltering from the increasing and inconsistent cold. I walked alone. I walked shedding feelings of sadness, of promises made to me and not kept, of days never allowed to achieve the potential invested in them. I shed these. I walked. I took photos to focus my intention and attention on the world of nature all around me.

It was any Wednesday
as I left the tarmacked road
and moved along a different trail,
but it was not what it seemed.

It was any Wednesday
as I followed the beckoning of the stream,
and moved along the muddied way,
but it was not what it seemed.

It was any Wednesday
yet bore revelations most profound
through the yawning gate of deepest winter,
and I saw with newly opened eyes,
and I heard with unblocked ears,
and I felt with reawakened senses,
walking with and amid those
who long before walked paths
not so different from my own
in following the lure of the winter’s day.

I watched the robin watching me,
saw the wren dart past from a withered hedge,
listened to the wind in the bare branched trees
and through dry hedge leaves,
I saw the preening swans and flying ducks,
and heard the stream coursing relentlessly to the sea.

We do not know the musics
our ancestors sang to
nor the languages of their song,
but we can know what inspired them
in the squelching mud,
the sharp bite of cold wind,
the warmth of midwinter sun,
the tumbling of the stream’s waters
and the calling of the wild things:
the quacking of ducks,
the cackling of herons,
the crawking of ravens,
the thrumming whoosh of swans skeinning low,
the howling of hounds.

We can still see bold oaks
twisting ivy and whithered bracken,
a cheeky robin,
a furtive wren,
a flitting band of sparrows,
but we must open the inner eye
and allow the deeper ear to hear
and the mind to pause its ceaseless doubt;
we must be willing to walk and pause,
to greet and be greeted
to watch and be watched
to wait upon and welcome
those unanticipated,
those least expected,
those who are willing to pull back
the curtain between now and then
as yet is a step we take together.

It was any Wednesday
but no Wednesday nor any day
will ever be the same.

Samhaintide

Prepare now
for the Samhaintide
make ready
for the delicate dawns
the diaphanous dusks
are upon us.

They will not last long,
these daybreakings
these nightfallings,
before we realise
all will return to what
we know well
and cope with better.

As the light shrinks itself
making room for expanding darkness,
when the constellations
more brightly dance
singing across the star strewn sky,
we keep the Samhiantide.

Out the corner of the eye,
was that a shimmer,
a swiftly darting energy
manifested momentarily,
the shadow stealthily
moving as a cloud across sky?

Barely audible
almost beyond our hearing,
was that thrumming,
the muffled chanting of the ancestors,
just the comfortable side of discordant,
who no longer sing in our harmonies
whose melodies grate the senses?

Yet, yet the sight of them fills
us with wonder and reassurance,
their musics astonish offering us solace,
we do not know how
it is possible for us to understand.

Samhaintide,
prepare to encounter what
we do not expect and accept
what we embodied
do not now understand.

The mystery of death,
the other birth
shrouded until the last moments,
and let us not wait until death is upon us,
to embrace and be embraced by
the reality we are not alone
either in our living or our dying.

Open and let go,
prepare now
for the Samhaintide
make ready
for the delicate dawns
the diaphanous dusks
are upon us.

They will not last long,
these daybreakings
these nightfallings,
before we realise
all will return to what
we know well
and cope with better . . .
unless we choose
a different way of being.

Ride the Drum Beat

Ride the drum beat.
Ride the purr.
Ride the ticking of the clock.

Mount the Wild Wind,
the Untamed Horse,
the Owl, the Eagle, or the Wren.

Make the passage,
cross the threshold,
navigate the boundaries
between
The Worlds,
leave behind the Homeland,
head for the Barely-Known-Land,
meet the Wise Ones
greet the Old Ones
and the Yet-to-Be Ones,
learn the lessons
hear the tales
sing the Soul Songs.

Ride the drum beat.
Ride the purr.
Ride the ticking of the clock.

Mount the Wild Wind,
the Untamed Horse,
the Owl, the Eagle, or the Wren.

Return at there’s daybreak,
the soul’s bright dawning
write the lessons
rehearse the tales
hum the musics,
unforgetting any mystery
quickly fading
shadows vanishing into light,
hold the mapways,
pathways, soulways
for the next time
always now a next time,
each a new time,
ever into old time.

Ride the drum beat.
Ride the purr.
Ride the ticking of the clock.

Mount the Wild Wind,
the Untamed Horse,
the Owl, the Eagle, or the Wren.