Rites and Rituals

For a good number of years now, I’ve found myself much less interested in, and inclined towards, orchestrated and scripted rites to do any sort of ritual. It simply doesn’t suit me, my spirituality and spiritual practice like it once did. You see, I went from being a fairly high church Episcopalian/Anglican to being a low church Pagan.

Over the years I have tried to follow proscribed and prescribed Pagan rites and rituals – in my case Druidic ones – and I simply can’t do them. The wording always felt trite and often has no real poetry, the cadence of the language fell flat, having grown up with the Collect form that remained essentially that of Thomas Cranmer, the formulae seemed forced or like they are trying too hard. I just never felt authentic casting a circle or calling the quarters, though in the days when I was making a concerted effort my mind would wander and I kept thinking that the beginning of the Book of Common Prayer from the 1970s in the US was doing sort of the same thing – ‘Blessed be God: Father, Son and Holy Spirit; and blessed be His Kingdom now and forever.’ Four parts that felt a lot like the circle casting using the four quarters. That being an aside.

Even though I attempted to write my own rites and formulate rituals to follow, I found that I had lost my taste for them. After all, I don’t belong to a Grove or any longer to Druid group that uses scripted rites for ritual. When the Druid group to which I do belong gathers, and we do so very infrequently, we are called together to be present in the space and place with simple words spoken from the heart. Those words hold our time out of time, as it were, and we sit in silence for the most part, individuals speaking or singing in the safety of the shared space. At a time when the one who gathered us in our time together senses that it is time to move back into ordinary time and space, the person says a few closing words and the time together ends.

There is another Pagan group to which I belong that has quite proscribed ways of doing things, at least on the surface, to be in communion with the group’s Goddessess, but again they don’t work for me. This same group has a series of guided meditations that can be undertaken at particular times. Again, I don’t get on with guided meditations, I tend to use them only to get to another ‘place’ then I wander off, usually following some calling from my usual guides. It’s not an act of wilful rebellion, it’s just the way these things work for me.

That said, being a person who no longer uses or desires to use written rites, I have developed a pattern of actions, a ritual, for the morning. It has happened spontaneously and it is one that feels right.

I get up about 0530 and get dressed. I get the food ready to take out to the feeding bowl in the orchard, put on my wellies and head out the back door. I head across the garden toward the west and through the gate into our little orchard. On the way I fill a watering can with water to replenish the water bowl near the feeding bowl and I make my way to fill both. I notice the wildflowers at my feet – bird’s foot trefoil is now blooming amid the buttercups and clover. After I fill the respective bowls I take the food container and watering can back to the orchard entrance.

Walking to each tree, most are still very small, being barely more than sticks when the arrived, and greet them in turn. I say good morning. I tell them how grateful we are that they are at home in our orchard. I make a fuss, if you will. When I come to one of the seven original trees I tell them how wonderful it is that they are making apples or plums and how amazing they are. I do this until all thirty trees are greeted, plus the two white birches and the four trees still in pots at the edge of the orchard. I also greet the badger who is buried near the birch trees.

After I have done this I stand where the front door of my shed will be at some point, at the bottom of the orchard. Facing north, I raise my arms to upward and draw down the energy of the morning into me and ground myself. Then raising my arms again, I chant the ‘Laude’ from Bernstein’s Mass, addressing to both God and Goddess. Finally, I chant to Pomona, who introduced Herself to me as a Goddess of the place where I live – dah, all those apple orchards! I chant to Her to ward and guard the trees of our orchard, and the ones close around. I ask her to bless the trees with fruit and give them strength to be resilient in the face of the changes in climate we are enduring. I have no set tune, no set words, just what feels right at the time, different every day.

When I am done, I walk back into the garden and do my morning watering on the east side of the property and in the front. When I water the garden, I chant to St Fiacre – patron saint of gardeners. He doesn’t seem to mind a Pagan chanting his name and asking his blessing on the garden. It usually takes me an hour to ninety minutes to do all of this.

Before I go to bed, I always look out my bedroom window, again to the west and north, and watch the stars, saying thank you to the day to the world outside my window, facing the orchard and the garden right under my window.

So, whilst I have not written rites, I do have rituals that work for me. Simple. Flexible. Sincere. They are rite-less rituals and that suits me just fine, and they will change with the seasons. What I do now in the summer will not be what I do in the winter, except for the last one of the day, because I think it is vitally important to express my gratitude to this amazing world we live on, for its gifts and abundant blessings, which more and more I am coming to realise we don’t appreciate enough, as a human species, to protect and cherish as we should, and indeed must if we are to survive. My humble thank you, I trust is heard and received with grace.

Mystery Bowl Contemplation – One

It has been ages, or at lease feels like it, since I introduced this new mode for me to engage in deep contemplation of the elements as I was led to use one for each day of the week. Like everything else over the summer this ground to a halt, but as I have reclaimed myself and my journey this aspect has reasserted itself in its proper place in my spiritual practice. Today is the first day I have claimed back the time and set aside the body/mind/soul space to enter what I knew, as it unfolded for me, would have a profound impact on how I comprehended everything.

0921 hours

The cats are fed, their litter trays sorted, and we’ve had a good old bash of chase the stick and attack the red spot.

Being a Sunday, today’s contemplation is Mystery for which I hold one of my small Iona bowls. It now has an inexpensive white metal spiral in the bottom that surfaced as I was hunting for something in my trim and notion drawer.

Immediately, I am taken to visions of Spirals of all types and sizes: to the swirl of galaxies; the double helix of my DNA; the eddies of water in streams and rivers; whirlpools; hurricanes; tornadoes; spiralling circles in folk dances; whirling dervishes; the unfolding of grape hyacinths and hibiscus flowers; spinning prayer wheels; cats and dogs chasing their tales; the winding steps to the tops of towers; fern fronds and pea tendrils. Each of these images emerged in rapid succession. Everywhere spirals, as everywhere mystery.

It matches the expanse and extent of the pervasiveness of mystery as I contemplate it this morning. Mystery. My-story. Mist–story. All word plays. Mystery, that which is hidden in plain sight before me, around all of us. There is mist/fog/low cloud, call it what you will, settled over the Maize Mothers gathered across the road. There is an ambient and chilly dampness pervading the air and seeping into the bones.

More Spirals. We speak of inflationary spirals in economics. Some know all too well the spiralling descent into depression. When events, behaviours or things go terribly wrong we say they have spiralled out of control. We live our lives on the arm of a spiral galaxy. Our art from earliest times and across divergent cultures use the spiral.

So, the mystery at the heart of today’s contemplation unfolds in me, before me, as I gaze into the bowl cradled in palms of my hands, cupped holding this container of wonder.

The mystery here, for me at least is best stated: How did this come to be? How did this image take such a hold on our collective imagination that is it used in describing so many areas in life?

After all, we use it to describe the pattern of our deepest most intimate reality, that which is at the depth of our very making. The swirling, twirling, spinning we share with so much of the life about us.

Again images emerge. The potters at the wheel, spin and draw up clay to form a pot or wind ropes of clay to do the same. The basket weavers do the same in a different medium. Squirrels chase each other over tree trunks in spirals. Some birds construct nests in a sort of spiral pattern. Yarn is spun twirling fleece or cotton or silk into long, long spiralled strands.

Mystery and spirals merge and part as I continue my contemplation.

Mystery is part of my-story. Wonder. Yes, we know we can explain how certain phenomena occur in nature. But that doesn’t rob from me the elegance of mystery, the mist-shrouded sense of something deeper than what empirical evidenced base science can prove. Intellectually, I can understand much of the language the sciences of meteorology, astrophysics and biology use to describe the mechanisms at work in the certain kinds of spirals; but the spiral that made me and the one I ride on through space/time remain wondrous and awe-filling.

To fall back on Mystery to explain something of faith or what is truly impenetrable is not a copout. I do not feel it is a fudge. For me it is an acknowledgement that there are things, experiences, events and even realities that are cloaked and that Knowing in these instances is a matter of trust, and have nothing to do with empirical knowledge. Mystery is what lies at the heart of wonder; it exists at the limits of human hubris; it is the soft fringe of spirituality and the hard edge of religion.

Now as I ease back from the depth and breadth of this contemplation, and feel the slight weight of the Iona Mystery Bowl in my hands becoming aware I am here, I am aware of how appropriate it is that this bowl is the one for my Sunday Mystery Contemplations. I recall all the journeys I have made to Iona, most at this time of year. Those journeys changed me because the experiences and encounters I had on beguiling, thin and dangerous Iona altered my life, my-story, irrevocably and forever.

How? How did the patterns shape as they did? Why? Why were choices made regarding certain encounters? Why were particular events so charged with significance?

Why? It’s a Mystery.

Immanence and Transcendence – One

I have been pondering these two words in relation to spiritual beliefs and religious practise for some time off and on, now and then, here and there. As these things happen they came back to me as I was bent over cleaning out the cats’ litter trays late last week.

I have ruminated about the nature of earth based and book based belief systems. I have pondered upon the impact on the peoples from earth based and book based religions with regards to migration. I have wondered how to frame an understanding of immanence and transcendence that works for me and in my religious and spiritual life as a Druid.

For me immanence is about the deity being close to me, a presence not a million miles away, as it were, in some heaven of harp strumming angels and much alleluia singing, usually pictured as up. Immanent Deity I experience by closeness to nature, the environment, this land where I found the depth of my spiritual and religious life and being. I also experience immanence through the spirits of the land and the ancestors whose energy is still a vital part of the whole. It’s sort of the difference between dew on the grass and clouds in the sky.

I tried to explore these ideas in an essay form, but they would not allow me to shape them into any sort of coherence. Therefore, I am using poetry to express what I feel and how I perceive the Immanent Deity, who can Be through a host of gods or only one goddess. As I continue my journey to understand the differences between the Deity Immanent and the Deity Transcendent I intend write more poetry, hopefully some more specific, addressed and responding to the Immanent Deities who companion me and accompany me on my earthly sojourn.

Immanent Deity

You are with me always
close as my skin to me,
essential as breath to my being,
entering my soul
as I accept your presence,
leading my body
as I respond to your call.

You are felt
viscerally through emotions’ gamut,
tangibly through a rose’s thorn,
tenderly through a lover’s caress,
harshly through the north wind,
gently through the spring shower

You speak
in the singing of birds,
in the beating of drums,
in the buzzing of bees,
in the crawking of ravens
in the sighing of wind.

You move
in the flitting of butterflies,
in the gliding of swans
in the soaring of buzzards,
in the dancing of humans
in the swaying of barley.

You live
in the fertile soil,
in the evening shadows,
in the pummelling rapids,
in the rolling fog,
in the bountiful harvest.

You are the Immanent Deity
who inhabits the land,
who travels the ley lines,
who journeys in reaches out,
who walks again with my footsteps,
who sees anew through my eyes,
who loves through my loving,
who lives on through my believing.