Tooting My Own Horn

This is a slightly different blog, because I’m sharing places to find my writings that others have published.

Recently, The Deep Music: Offerings for the Awen was published. This is an anthology containing three of my poems, previously unpublished, and a short essay. You can order it here.

The jacket blurb reads:

‘This anthology is a collection of the writings of contemporary awneyddion. Those who have have heard the deep music, followed its call to Annwn, where the awen is breathed into them by the gods, and returned with their own songs.’ The other contributors include: Greg Hill, Catriona McDonald, Angharad Lois, Bryan Hewitt, Lorna Smithers, Cat Heath, Rhyd Wildermuth, Charlotte Hussey, Kevin Manwaring, Hazel Loveridge, Sithearan NicLeoid, Lia Hunter, and Hilaire Wood.

Last week, a story of mine,’The Unexpected Bearer’, was published in the Spring 2020 issue of Shorts Magazine [it’s free]. Just click on the magazine and it opens.

These are the first of my writings published by others in a long time, and it’s been very gratifying see both the book and magazine.

I Weave with Words

[I’m reading Max Dashu’s amazing book Witches and Pagans: Women in European Folk Religion,700-1100]

I weave with words

Letters skein across the page
like the wild flight of geese in autumn,
letters turned into words
on the distaff of inspiration,
trailing ideas
ready for the loom
of the mind.

I weave with words.

Dangerous am I
as the weaving women of old
discrete words becoming incantations,
the singing of thought
and perception into form,
altering the reality of the page,
from the blank white leaf
into the mottled sheet
with images drawn out
and curling under each other.

I weave with words.

By setting out the warp and woof
of line and length,
that which moved me into the
gilded light of flow and form,
the dark recesses of passion
impassive before the shuttle
thrown back and forth line on line,
the pen creating
the garment of imagination,
the tapestry of alliteration,
metaphor and rhythm
maybe only I can hear
as I sway at the paper loom
and dream aloud
for others.

I weave with words.

Word -weaving
from my word hoard,
language neutral until
contextualised in pattern,
shaping ideas into form,
leaving no dangling threads
to unravel my inspired thoughts,
cutting the last thread
at just the right place.

I
weave
with
words.

Knowing When

Knowing when it’s time to let go doesn’t make doing it any easier.

Whether it’s a relationship with a person or a project to walk away when it no longer works, is no longer appropriate or viable, is a drain on one’s energetic resources, is terribly difficult and will involve some level of pain, disappointment and even guilt.

The idea, the names, the title, the plot all came at once in 2002. I did research for the parts that I needed to. I wrote the four main characters back stories. I had maps. I had notes and ‘scene’ frames.

I moved from the area where the story came to me. When I returned there was not real opportunity to make progress. It was a work of fiction with an historical grounding. Intermittently I took out the maps and notes and worked on bits of it.

Since then I have moved far from the head, heart and soul space that would have made writing the novel possible. I have lots of other projects that are definitely not receding but actively pushing forward.

The challenge is that the characters were quite real to me. They came with me with their story. But I was not able to tell it for them. Part of me feels as though I let them down. Nevertheless, I know I could no longer do it justice, I may not have been able to do it fifteen years ago, but I was closer to it and close to the place in my life when I was able to engage them in their spiritual frame.

Now, as I am getting a bigger study in the house, the room of my own large enough to use for writing and engaging more fully in my spiritual practice, I am ready to work on projects put on hold whilst my life was in chaos. The result of preparing to re-engage is that I have to put some works aside.

So, it’s time to cut the tie that has linked me to A Wintering of Swans and say farewell to the characters. I am sad not to have done this work, but it was not one I could any longer do justice. On the other hand, I am looking forward with great anticipation to re-entering the worlds and lives of stories that I am able and willing to invest my heart, soul and energy.

On this day, Imbolc, a day of turning and change is the right day to do both things: to release and rededicate.

Emerge

Emerge from the fog.
Merge with the mist.
Appear in dream.
Disappear at dawn.

Elusive,
secretive,
unsure
if the call has been heard,
if the presence will be heeded,
if the images can be held.

Waking from the wandering of sleep,
rising from the repose of night,
aware of the new day
away drift the words
given as the lights went out.

The head goes down,
the eyelids close,
the body refuses
to respond to the
desire, need, demand
to record the words,
capture the idea,
harness the images
before they drift away
slip beyond the gate of memory,
lost to the dark
of restless sleep,
fretful waking.

Unsettling Metaphor

One of my recent posts was a poem about Orion and I going ‘dream hunting’ during the night. However, the next night I hardly slept at all. Images and ideas, words and phrases, whole poems bolted into my awareness. As the long night wore on, I realised that I was not losing them. I still held them waking. I sat in with a notebook furiously writing, drawing them from the cauldron filled during the night.

So, the metaphor came to me of how I approach writing, poetry as well as fiction. It is not an agrarian/gardening model. I do not take the fragile seeds of ideas, plant them in the rich soil of my imagination and wait for them to grow to harvest. I do not water them with attendance nor weed out extraneous material.

No, for me it is about the hunt. And I knew that when I realised the Orion image for ‘dream hunting’ also applied to writing, ‘word hunting’. I set out on a path, that is the idea. I track various aspects of it. I seek out words, images, phrases in the undergrowth of my imagination. When I find the one I want, I take it. I shoot the arrow of my intention from the bow of my desire to create. If it is the wrong word, or what have you, my shot will miss wildly and the word will safely run free from me.

When I have retrieved the words, images and phrases after a successful hunt I bring them home, as it were. I strip the meat of them to the bones, work with the sinew stretching and shaping. The meat goes into the cauldron. I add a few wild berries, herbs or tubers for contrast and embellishment, for accent to the stew I am preparing. When done I serve up the finished product.

Now, this is not a pretty scenario, and one would think totally antithetical for a person who eats vegetarian/veganish/rawish. A person who abhors hunting, the cruelty of it and the waste of it, bracketing those who really do need to do so for survival. I am a creative hunter/gatherer. I am not a creative agriculturalist.

For me creating is a wild activity. It puts me in touch with the wild, untamed energies of the Awen. I must track through the deep woods, follow the fast running rivers and test my worth against forces with the ability to enrich or destroy me, to nourish or devour me by their power. For me creativity is facing the wildness of myself as well as that of lexicon and grammar. It is about the hunt for the right word; the weak, the underdeveloped, the those too young or old are not what I seek. And I do not take all of the words that might work. I crawl across the page stalking, waiting, feeling deep inside, viscerally for the words I am seeking.

It is then and only then that I notch my arrow. It is only then I release the tension on my bow. It is only then that I take for myself the word I need. You may wonder why I don’t just trap and set free. Well that image and understanding of the process is to cautious. When I need a word, it does me no good to set it free. I need it and it does not work in the context that I understand the process now to borrow it, as it were. Its life and being, that of the word, image or phrase, I must take into myself. For it to nourish my work and my creative endeavour, I have to be able to plunge it into the cauldron so it can be part of the stew which I will serve to others.

It came to me as I wrestled with these images, that perhaps the reason I don’t eat flesh, food obtained originally from the hunt, is that it has become some sort of geis for me. It was framed as a a prohibition to me in a meditation, which fits.

I find these images and understanding very freeing, if initially unsettling, but am doing a lot more writing since I came to apprehend and accept this is how I work. Creativity isn’t always a pretty process. It is arduous. It can eat people alive. It can spit them out broken and mad. I have chosen to be proactive here. Whilst drawn down the paths and tracks where my ‘prey’ awaits me, I am able to work with the Awen as a partner, not a victim, not a slave. The Awen and I become co-creators. There is balance here and sanity for me. Nurture and nourishment. It frames the struggles as ones I can deal with. Yes, sometimes the trails are cold on the path and I come home empty, but I go out again and again, and on days I am fortunate, the cauldron will be full and the stew rich.

Beyond the Day of Balance

Yesterday was an amazing day, the beginning of which I wrote about and posted in the morning.

It was of course followed by the rest of the day . . .

A day marked by intensity and contrasts, of emotions and reactions. I felt myself open, or being opened to a far deeper experience of the world around me, particularly the natural world. The terrain of my gods, those of this land and its memory. The landscape of my ancestors here and their wisdom. The spirits of the land upon which I live and who share with and sustain me as engage them walking  the fields and the footpaths near my home.

The opening up further, sensing more deeply, apprehending more fully came as a bit of a shock. I heard more that would be unuttered but for the the rustling Maize Maidens in the wind, the beating of the bird’s wing, the whistling of the breeze through the corvid feathers in my hat (that sometimes I mistake for the buzzing of bees). The longings of the small ones to be safe; the worry of the badgers, tucked in their setts along the path I walk, for their kin in the midst of the cull; and the relief of the apple boughs released from the burden of the fruit bending them nearly to breaking.

The happiness my cats feel at the demise of the fleas that have tormented them and me for too much of the summer, is palpable in the cottage. Their purrs are freer and more freely given as they stretched out in the morning sunshine in the middle of the floor in the same room within touching distance of each other. This I rejoiced to sense and to hear – their gratitude.

I looked at the various writing projects that have stacked up for far too long. Projects I could not face. Did not know where to start engaging. I looked at the stories and the worlds renewed before me. The characters, whose names I have heard for so long, reached out to me from the pages both typed and handwritten. I was able to renew the relationships, friendships with these individuals who have trusted me for so long to share their lives in story, history, poetry and song. Again, profound gratitude and a sense of responsibility — trusts remaining unbetrayed, and promises made, yet unfulfilled. I hope they wait in an orderly queue.

I am ready, with the experiences of yesterday, to embrace the disciple to fulfill those promises and keep faith with the trusts granted me. And for me to write more poetry, and share my insights in case there is meaning in my words not only for me, but for you who read them.

I feel still as if either I have burst some inhibiting bonds, or they have been shattered for me. And ultimately, it doesn’t matter. What matters is what I do with this newly found and new felt freedom. It is the time to do, more than to be. For me being, in the sense of the opposite of doing, is not a good place for me to stay. It is stagnating. I need The Awen to flow,  and more importantly, for me to flow with and be immersed in it. I can no longer just watch it go past, or ride it but to no creative result. The flow has certainly burst its banks. I have engaged The Awen and pledged myself to its work for me, but until yesterday I was somehow constrained in the fulfillment of my pledge, unable to work constructively with the energy. Even though I knew and know it is the energy that is at the centre of my life, the core of my being and the shaper of my soul.

I don’t really have any idea what happened in the intervening months, but they are then and this is now and yet beckons me onward. I am sure there were some lessons I had to learn, and I sincerely hope I have learned them and have, in ways I do not comprehend, assimilated them into my life to help carry me onward.

Beyond the Day of Balance is living with the full awareness that whilst balance allows renewal, it is not a place to create from or in, but a place to go where insight flares demanding acknowledgement, then from the few hours of refuge to begin once more the journeying forth into the next adventures and even more meaning.